Filmmaker Antoine Fuqua has been dreaming about taking the Equalizer abroad for years. The action franchise (very loosely based on a 1980s television series) starring Denzel Washington as the reluctant assassin Robert McCall had rooted itself in humble domestic beginnings, in Boston. But after two films and $382.7 million in box-office receipts in the past decade, the time seemed ripe to travel.
“Denzel is an international movie star,” Fuqua told The Associated Press. “We thought it would be nice to see a man of color in a story that’s more international. Why not take this character around the world? Luckily, Sony loved the idea.”
And there was only one place that was ever seriously on the list: Italy. Washington, Fuqua said, goes every summer and has since his kids were babies. He loves the culture, the people, the food. He even speaks some Italian.
“He just feels right there,” Fuqua said.
And for Fuqua, it was the stuff of filmmaking dreams to get to shoot in Cinecittà Studios in Rome and bump up against cinema history walking where Fellini and so many other greats have before him. In Naples, they found an authentically 1970s New York grittiness that required little to no production design for a pivotal showdown. And on the Amalfi coast, they stumbled on the small village of their, and McCall’s, fantasies in the picturesque Atrani.
It’s the kind of place you’d believe someone like McCall (or anyone really) might feel immediately tied to and protective of, which is what happens in “Equalizer 3,” debuting in theaters nationwide Friday. The difference is McCall is more uniquely suited to take on the Camorra. Single-handedly, of course.
“When we went to that small town, we knew that was the place,” Fuqua said. “The people were so beautiful, we were sitting around and they would just bring us coffee and espresso. We didn’t even ask for it. Or big giant lemons because it was so hot. You fall in love with the people in a town like that.”
